handmade holidays: merry and bright

I've had a remnant of Ralph Lauren red plaid kicking around in my fabric stash for years. I bought it to make a shirt for myself, but I felt the plaid was a little too small scale (though I still have enough leftover to make a sleeveless oxford, so I may do it after all!) for an adult's garment. So I made this little 2T dress for a friend's daughter (pattern is Butterick's B-4054). The only change I made to the pattern was in the sleeves: I made a separate casing, rather than turning up the sleeve's hem to make a casing for the elastic, as I knew I wanted to trim the sleeves with bias tape (in a contrasting white/blue/green/red plaid) that I'd fallen in love with at my local fabric store. I used it to trim the skirt, neckline, sleeves, and to bind the seam where the skirt meets the bodice. This dress is full of careful details: most of the seams are French seams, the skirt seam is tacked down, invisibly, by hand, and the invisible zipper is the best one I've ever done. Children's clothes are so small that I always feel like I have time to indulge in the special finishes.

After sewing the dress, I embroidered a little laurel garland to the chest in ivory cotton sashiko thread, using a chain stitch for the stems and herringbone stitch for the leaves.

Here's another picture: it's a bit less romantic with the light filtering in through the window, but it'll give you a better idea of the dress. I can't wait to wrap this little cutie up and pop it in the mail for a special little girl's Christmas!

handmade holidays 2013: chamomile liqueur

I'm pretty sure that my old high school buddy's wife doesn't read my blog. If she does, man, am I ever ruining the surprise. I had said something about growing chamomile on facebook this spring and she asked if my husband (who's got a real knack for mixology) might be able to dream up a chamomile cocktail for her, as she loves chamomile. Well, I thought, I've got to figure out a way to make a chamomile spirit. My first attempt was a bust: I used Roman chamomile (a low-growing groundcover chamomile), I think that was the first mistake. When I later reopened the jar of roman chamomile flowers that I'd dried and saved, I noticed a faint bitterness to the otherwise sweet chamomile scent. That bitterness also came to the forefront when I infused the flowers for a couple of weeks instead of a couple of days - too long, I learned, for chamomile.

So, this second time around, I used German chamomile (the standard, upright plant that people tend to think of when they think of chamomile) that I grew this summer. I only steeped the flowers for five or six days (I steeped in vodka). Then I added honey (lots of it) and water (because the alcohol content of many sweet and flavoured liqueurs is lower than the vodka's standard 40 proof). I watered down and sweetened to taste, taking tiny sips from a teaspoon after each addition until I'd reached a point that seemed to best complement the sweet and sunny chamomile flavor. The benefit of sweetening with honey (as opposed to, say, a simple syrup), is that the combination of honey and chamomile is so traditional and expected - and the amber colour of the honey only enhanced the sunny yellow colour of the liqueur.

I poured it into an old absinthe bottle and corked it. We haven't figured out how we'll get this down to Oregon yet, but we'll get it there - and a little ageing in the bottle with the honey won't do the spirit any harm. In the meantime, I've got maybe one ounce of this liqueur left over, and I've challenged Cass to dream up a cocktail and try it out. He's only got one shot, so it's got to work on the first try; I figured we'd jot the recipe down on a tag and tie it around the neck of the bottle for gifting.

a new hat

 

Inspired by Giles Deacon's F/W 2013 show (some images below), I knitted myself an oversized beanie this autumn. (For reference, I propped the hat up on a 14-inch-high vase for this shot. It's quite large, about 28 or 30 inches in circumference at the base.) The hat is made with Lanaloft Bulky wool yarn and knitted on size 19 needles. There 60 stitches (I worked a 3X3 rib pattern) that gradually reduces to a 2X2 rib pattern, then is sewn together at the top. It is accented with two metallic silver leather feathers that I cut by hand (unlike Mr. Deacon, I don't have access to a fancy laser cutter), affixed by a leather thong to a cast silver twig (from the silver twig shop on etsy). Mine isn't quite as long as some of the hats below because I didn't like the really long floppy shape, but it tucks down a little bit in the back and generally makes my head look like I've got a giant green mushroom for a hat. I love it!



 

 

 

 

project 52:9

well, now that I realize I haven't posted anything since last week, I feel a bit bad. I've got a few things photographed that I just need to upload and share with you - a hat, some finishing touches for holiday gifts that I've been tying up, and though that shirt is just about done, I realized I may have to tear off the sleeve facings and put sleeves on it. I just can't tell if I like it without sleeves or not. I think I need to get Cass to weigh in and make the decision for me.

In the meantime, at least I'm keeping up with project 52. Last week a friend posted a picture of a bare tree on facebook and it reminded me of the way nerves branch in the human body. So I sketched the tree (roughly) and then painted over it in a mix of acrylic and gesso.

project 52:8

for week eight, a quick painting of Mt. Ranier at sunrise is overlaid with a print from a moon-phase lino block that I carved (and later this week, I'll show you the shirt I'm making with that lino block).

DIY Imperial Prism Earrings

 

Time for another anthro DIY! Above are the "Imperial Prism Earrings," currently sold at anthropologie for $138. I think it's a great, bold earring for holiday parties and the quartz points make it feel rather wintery to me. These guys are made from two quartz point beads, a bunch of little brass spacer beads, and rhinestones in two shapes (12mm squares, and 15x7 mm navettes) mounted in brass sew-on settings with two holes. A single piece of wire feeds through the quartz point, then the two sides go up through the two holes in the sew-on setting. There are 15 brass spacer beads on each earring - four on each wire between the quartz point and the square rhinestone, one on each wire under the navettes, and one single brass spacer at the top. After stringing on the last of the navettes, the two wires are pressed together, the brass spacer bead is fed on, and they are made into a simple loop closure and attached to a lever-back earring with a small rhinestone accent.

 

Here's my DIY version. I wasn't feeling the pink-and-white colour scheme of the original, so I swapped it. I was hoping to do green navettes with an opalescent white square rhinestone, but I couldn't find the components in the right size. I settled on jonquil ( a pale chartreuse) navettes and peridot squares. These actually cost me more than I'd expected-  and the surprising expense were the brass spacer beads, which were $0.40 apiece. As I needed 30 of these spacers to make the earrings (and I bought two extra, in case I lost one in the carpet while making), there was no way I was going to be able to make these for my usual "1/10th of retail price" standard. Alas. I used leftover quartz points that I had on hand, and gold-plated shepherd's hook earrings that I had on hand to keep costs down - all in all, I think I spent about $25 on materials. That's a bit more than my usual, but still, a far cry from $138. And I like them in green. I think they might be great for spring, too.

project 52:7

this week, Cass suggested I use the postcard to do a study of a pomegranate, since I've got one in my next painting and I need practice (sorry, David  - do you feel used?). So, week seven is a pomegranate sketch (just using a mechanical pencil I found in the pen jar) that I stabilized with a bit of fixative before going back over it with a little wash of acrylic paint to punch it up with a hint of the deep dark colour of those ruby seeds.

Pomegranates are the perfect winter fruit, aren't they? No wonder it's the fruit that Persephone ate in the underworld - they're so dark and mysterious, all that brilliance and zest hidden in the labyrinthine folds.